Thank you for having the manual I needed for an older model Aiwa stero I had found on Ebay --- I wanted the Aiwa because I had tapes and cd's but I did not have a manual as to how to operate the system... I found what I needed and it has enabled me to set the system up for my enjoyment.
The manual was very helpfull, it answerdes all my questions, and i was surprized to find the original manual on this site! Big thumbs uP:)
Text excerpt from page 11 (click to view)
376
Getting Started
Section 1
1.2 Front Panel Controls
Instrument Input
This unbalanced high-impedance input connection is used to insert an instrument signal directly into the preamp. Use the LINE switch to make instrument input or the rear panel line input active. Plugging into the instrument jack will override the rear panel 1/4� input jack (line input must be selected).
Line Select Switch
This switch, when lit, selects the rear line input or front panel instrument input (when something is connected) as the source signal of the 376.
Drive Control
This control sets the amount of gain at the input of the vacuum tube stage. The range of gain available is +30 to +60 dB (-15 to +15 dB when LINE INPUT is selected).
Drive meter
This 4-segment LED meter indicates the input drive signal.
+48 Volt Switch
This switch activates phantom power for condenser microphones on pins 2 and 3 of the XLR mic input. You should connect your microphone before turning on the phantom power to prevent damage to your microphone. Be sure to always lower levels prior to using the +48 Volt Switch.
20db Pad Switch
This switch attenuates the microphone input signal by 20dB.
Phase Switch
This switch inverts the phase of the incoming signal at the Mic input by swapping pins 2 and 3 on the XLR connector. Note- The +48 Vo lt, 20dB Pad and Phase functions are only available when the microphone input is in use.
Low Cut Switch
This switch places a 12 dB per octave shelving high pass filter in the signal path. The knee frequency of the Low Cut filter is 75 Hz. This filter is very useful for removing low frequency rumble or handling noise from a microphone input signal.
