|
|
|
Who's Online
There currently are 5324 guests online. |
|
Categories
|
|
Information
|
|
Featured Product
|
|
|
 |
|
|
There are currently no product reviews.
 ;
Thank´s for your help, I already recived these manual from you
;
Thank you for your manual It has the basic things to and i use the Oszi for Longer Time.
THX
;
Actually, I was looking for this information for 3 years!...now thanks to you, the manual is on my hands and of great help, cause I understand now where I was doing wrong connections and wires...excellent, I'll be back to you if in need, thank you.
 ;
This manual covers the main equipment features only. While it also includes the procedure for saving and loading from the now long obsolete memory cards it does not mention the how to operate with the optional floppy drive interface so I am still at a loss about how to use this! Note that there is a separate manual covering the MIDI interface and programming via the keyboard, not included in this download. You will also need to get hold of this if you want to use the MIDI interface properly. Basically there is little difference between this manual and the free to download manual for the similar PR60 model.
;
Good list of manuals. I found a very rare one and easily get. Should be promptly to download, as we must to wait hours even after confirmed payment.
5 � Channel modules : Module setup
The maximum delay time is 16383 samples, at every sampling frequency. In milliseconds, this equates to:
FS 44.1 Maximum delay (ms) 371.5
edited is linked to another channel, as well as to whether the project is a stereo or surround project. The POD 4 encoder is used to set the pan or balance. Beside the on-screen representation of this control is a CENTER button. Use this to center the pan or balance setting easily. In the �normal� (unlinked, stereo) case, the oddnumbered (left) panpot of a pair of channels can be ganged together with the even-numbered (right) panpot. Use the on-screen GANG button to link the panpots of the channels in this way. A linked pair of channel modules has the pan control of a mono channel replaced by a balance control. In the case of such a control, no ganging of control is possible, but two other controls are provided. The �rst, controlled by the POD 2 encoder, allows either of the two modules to used as a mono signal (LMono, Rmono) or the two together as a stereo signal (STEREO). In the �rst two cases, the balance control effectively acts as a pan control). The second control, set using the POD 3 encoder, controls the width of the stereo image created by the two controls from a mono point source (center) to a stereo (counterclockwise) image. Turning the pointer clockwise from the center reverses the left and right channels.
48 88.2 96
341.3 185.7 170.7 Table 5.7: Channel delay
Use the POD 4 encoder to switch between milliseconds and samples as the units in which the delay time is set and displayed.
Digital trim Allows the module�s input to be
adjusted. This is post-phase and pre-gate. It is entirely independent of the analog TRIM controls on the mic/line inputs. The value of this digital trim can be adjusted from a cut of �50dB to a boost of +10dB in 0.5dB steps. Also see �Phase/trim/delay� on page 84 below.
Dithering (stereo buss module only) When
going from 24-bit to 16-bit, using dithering is often a good way of reducing noise, etc. The POD 2 encoder can be used to set dithering Off (24-bit) or to the 16bit (On) setting. The exact form of bit-reduction used can be set here as well as in the DIGITAL FORMAT screen (see �Digital I/O setup� on page 51): TRUNCATE, DITHER and NOISE SHAPED.
Pan and balance settings Many of these settings are dependent on whether the channel being
Figure 5.15: Linked pair balance controls
Phase/trim/delay Phase The phase of an input signal, as explained
above, can be set either to normal or reversed. Use the ASSIGN PARAMETERS screen (�Global module settings� on page 72) to view and set the phase for all input at once.
84 TASCAM DM-4800 User�s Manual
|
|
|
> |
|
