Actually, I was looking for this information for 3 years!...now thanks to you, the manual is on my hands and of great help, cause I understand now where I was doing wrong connections and wires...excellent, I'll be back to you if in need, thank you.
This manual covers the main equipment features only. While it also includes the procedure for saving and loading from the now long obsolete memory cards it does not mention the how to operate with the optional floppy drive interface so I am still at a loss about how to use this! Note that there is a separate manual covering the MIDI interface and programming via the keyboard, not included in this download. You will also need to get hold of this if you want to use the MIDI interface properly. Basically there is little difference between this manual and the free to download manual for the similar PR60 model.
The Mode Dial
This camera has a mode dial to suit recording of many kinds of scenes. Select the desired mode and enjoy the variety of recording. Rotate the mode dial slowly and securely.
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SCN2
: Playback mode (P59) This mode allows you to play back recorded pictures. : Auto mode (P42) Even beginners can easily take pictures.
P
: Program AE mode (P37) The exposure is automatically adjusted by the camera. : Aperture-priority AE (P64) The shutter speed is automatically determined by the aperture value you set. : Shutter-priority AE (P65) The aperture value is automatically determined by the shutter speed you set. : Manual exposure (P66) The exposure is adjusted by the aperture value and the shutter speed which are manually adjusted. : Motion picture mode (P69) This mode allows you to record motion pictures.
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VQT0R81
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: Scene mode 1 : Scene mode 2 (P71) This mode allows you to take pictures depending on the recording scenes. This mode also allows you to set [SCENE MENU] (P24) on the [SETUP] menu to [OFF] and set the scene modes which are frequently used to [ ] and [ ] on the mode dial. It is convenient because you can select the scene mode quickly and minimize the operation.
