Actually, I was looking for this information for 3 years!...now thanks to you, the manual is on my hands and of great help, cause I understand now where I was doing wrong connections and wires...excellent, I'll be back to you if in need, thank you.
This manual covers the main equipment features only. While it also includes the procedure for saving and loading from the now long obsolete memory cards it does not mention the how to operate with the optional floppy drive interface so I am still at a loss about how to use this! Note that there is a separate manual covering the MIDI interface and programming via the keyboard, not included in this download. You will also need to get hold of this if you want to use the MIDI interface properly. Basically there is little difference between this manual and the free to download manual for the similar PR60 model.
Text excerpt from page 38 (click to view)
Chapter 4 The Effects Explained
s FL (Flanger)
The flanging effect gives a twisting, jet-airplane-like character to the sound.
2-Stereo:
Two-voice pitch-shifted sound (HR1, HR2) output through left and right channels.
Rate
This sets the rate of the flanging effect. * When set to BPM, the value of each parameter will be set according to the value of the Master BPM (p. 46) specified for each patch. This makes it easier to achieve effect sound settings that match the tempo of the song (synchronizing the cycle to one-half or one-fourth of the BPM when the set cycle rate is increased). When setting to the BPM, pressing PARAMETER [ ] to display the Master BPM settings screen.
Harmony
This determines the pitch of the sound added to the input sound, when you are making a harmony. It allows you to set it by up to 2 octaves higher or lower than the input sound. When the scale is set to �Scale 1�Scale29,� this parameter sets the user scale number to be used.
PreDly (pre delay)
Adjusts the time from when the direct sound is heard until the harmonist sounds are heard. Normally you can leave this set at �0ms.� * When set to BPM, the value of each parameter will be set according to the value of the Master BPM (p. 46) specified for each patch. This makes it easier to achieve effect sound settings that match the tempo of the song (synchronizing the time to twice or four times the time length of the BPM when the set time is increased). When setting to the BPM, pressing PARAMETER [ display the Master BPM settings screen. ] to
Depth
Determines the depth of the flanging effect.
Manual
Adjusts the center frequency at which to apply the effect.
Resonance
Determines the amount of resonance (feedback). Increasing the value will emphasize the effect, creating a more unusual sound.
Feedback
This adjusts the feedback amount of the harmonist sound.
Separation
Adjusts the diffusion. The diffusion increases as the value increases.
Level
This adjusts the volume of the harmonist sound.
Effect Level
This adjusts the volume of the flanger.
Key
Specify the key of the song you are playing. By specifying the key, you can create harmonies that fit the key of the song. The key setting corresponds to the key of the song (#, b) as follows.
fig.04-02
Direct Level
This adjusts the volume of the direct sound.
s HR (Harmonist)
�Harmonist� is the amount of shifting is adjusted according to an analysis of the guitar input, allowing you to create harmonics based on diatonic scales. * Because of the need to analyze the pitch, chords (two or more sounds played simultaneously) cannot be played.
Voice
This selects the number of voices for the pitch shift sound (harmony).
1-Voice:
One-voice pitch-shifted sound output in monaural.
Direct Level
This adjusts the volume of the direct sound.
2-Mono:
Two-voice pitch-shifted sound (HR1, HR2) output in monaural.
