Actually, I was looking for this information for 3 years!...now thanks to you, the manual is on my hands and of great help, cause I understand now where I was doing wrong connections and wires...excellent, I'll be back to you if in need, thank you.
This manual covers the main equipment features only. While it also includes the procedure for saving and loading from the now long obsolete memory cards it does not mention the how to operate with the optional floppy drive interface so I am still at a loss about how to use this! Note that there is a separate manual covering the MIDI interface and programming via the keyboard, not included in this download. You will also need to get hold of this if you want to use the MIDI interface properly. Basically there is little difference between this manual and the free to download manual for the similar PR60 model.
Good list of manuals. I found a very rare one and easily get. Should be promptly to download, as we must to wait hours even after confirmed payment.
Text excerpt from page 5 (click to view)
USING MORE THAN ONE MICROPHONE It is often desirable for a group to use a separate microphone for each individual performer. In this case, the following points should be remembered: 1. It is best if the microphones are individually controlled for volume through a separate Shure microphone mixer. If this is not possible, it is desirable that each performer use the sarne type and rnodel of microphone so that the group as a whole wjil1 he "halanced." 2. Check the placement of the microphones with relation to loudspeakers (as previously mentioned) so that feedback is minimized. 3. As additional microphones are added the possibility of feedback increases. Turn off, or down, unused microphones to help solve this problem. SHURE FEEDBACK CONTROLLER Lets you "tune" your sound system to the acoustics of the room. The result is more overall sound power without feedback. Eight linear-motion filter controls are infinitely variable from 0 to 12 dB cut. Below 63 Hz and Above 8 kHz roll-off switches attenuate low and high frequencies. Can be installed between mixer or console and amplifier for total system control, or following each microphone as a single-channel preamplifier with feedback control.
