Actually, I was looking for this information for 3 years!...now thanks to you, the manual is on my hands and of great help, cause I understand now where I was doing wrong connections and wires...excellent, I'll be back to you if in need, thank you.
This manual covers the main equipment features only. While it also includes the procedure for saving and loading from the now long obsolete memory cards it does not mention the how to operate with the optional floppy drive interface so I am still at a loss about how to use this! Note that there is a separate manual covering the MIDI interface and programming via the keyboard, not included in this download. You will also need to get hold of this if you want to use the MIDI interface properly. Basically there is little difference between this manual and the free to download manual for the similar PR60 model.
Good list of manuals. I found a very rare one and easily get. Should be promptly to download, as we must to wait hours even after confirmed payment.
Text excerpt from page 23 (click to view)
Creating �Custom� Wah Effects (Customize Mode) 7. With the TYPE knob, select the wah type on which you want to base your custom effect. * Until the TYPE knob is turned, the last wah type set to CUSTOM remains selected. TYPE knob CUSTOM (factory setting) ADVANCED BASS MIX CBY-WAH VO-WAH MO-WAH VOICE UNI-V Base wah type DOUBLE RESONANCE (p. 24) ADVANCED BASS MIX CBY-WAH VO-WAH MO-WAH * When selecting DOUBLE RESONANCE, first turn the TYPE knob to a setting other than CUSTOM, then select CUSTOM again. 8. Adjust the Q with the WAH RANGE knob. Q produces changes in the wah filter. The frequency range gets narrower as the knob is turned to the right (clockwise), creating a sharper filter with a tone with strong characteristics. Turning the knob to the left widens the frequency range, creating a less severe filter effect. When the knob is at the center position, the tone is as modeled. 9. Adjust the presence with the DRIVE knob (p. 25). The high-frequency components are attenuated more as the knob is turned to the left. There is no attenuation of the high frequencies when the knob is turned completely to the right.
